S o n i a G r e e n f i e l d
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Professional Experience:

Director, Southern California Poetry Festival, 2015-2018

Organizes an annual, weekend-long poetry festival for Southern California. Brings in a diverse representation of voices and dynamic programming in order to draw an inclusive audience. 

Editor, Rise Up Review, 2016-Present

Curates an online poetry journal dedicated to the poetry of opposition.

Teaching Experience:

Adjunct Faculty, English Department, 2019-Present, Normandale Community College

Developed course content, syllabus and writing assignments for ENGC 1101: Freshman Composition

Lecturer, Writing Program, 2014-2016, University of Southern California

Developed course content, syllabus and writing assignments for Writing 150: Issues in Economics; and Education and Intellectual Development.

Assistant Lecturer, Writing Program, 2012-2014, University of Southern California

Developed course content, syllabus and writing assignments for Writing 140 in affiliation with Changing Family Forms; Law, Politics, and Public Policy; Culture, Medicine, and Politics; and Understanding Race and Sex Historically. 

Associate Faculty, English Department, 2009-2011, Cascadia Community College, Bothell, Washington

English 100: A remedial composition course for students who scored poorly on the COMPASS test.
English 101: Freshman composition.
English 102: Part two of freshman composition, which focuses 
primarily on research writing. 

Poetry Instructor, Richard Hugo House, Seattle, Washington

“Poetry for the Rebel Soul:” A 6-week intensive class on breaking 
the rules of verse composition.  

Adjunct Instructor, English Department, 2008 University of Connecticut, Torrington, Connecticut

Basic Writing: A remedial composition course for those students that 
scored poorly on the SAT.
Seminar in Academic Writing: Freshman composition. 

Teaching Assistant, English Department, 2003-2004: University of Washington, Seattle, Washington

Beginning Verse Writing: An introductory course to writing and 
understanding the mechanics of poetry.


Master of Professional Writing - 2014: University of Southern California, Los Angeles

Master of Fine Art, English - Creative Writing, Poetry - 2004: University of Washington, Seattle

Master of Art, English - Creative Writing, Poetry - 2001: San Francisco State University

Bachelor of Art - English, Creative Writing - 1998: San Francisco State University: magna cum laude 



Letdown (2020) White Pine Press 
American Parable (2017) Autumn House Press
Boy with a Halo at the Farmer's Market (2015) Codhill Press 
Circus Gravitas (2014) Finishing Line Press


Reel Verse, Edited by Harold Schechter and Michael Waters, Everyman's Library (Forthcoming in 2019)
Alongside We Travel: Poets on Autism, Edited by Sean Thomas Dougherty, NYQ Books (Forthcoming in 2019)
Dark Ink: A Poetry Anthology Inspired By Horror, Edited by Eric Morago, Moon Tide Press (Forthcoming in 2018)
2018 Best American Poetry,  Edited by Dana Gioia, Scribner Books (2018)
Misrepresented People: Poetic Responses to Trump's America, Edited by Maria Isabel Alvarez and Dante Di Stefano, NYQ Books (2018)
Lullaby of Teeth: An Anthology of Southern California Poetry, Edited by Eric Morago, Moon Tide Press (2017)
Nothing to Declare: A Guide to the Flash Sequence, Edited by Robert Alexander, Eric Braun, and Debra Marquart, White Pine Press (2016)
​2010 Best American Poetry, Edited by Amy Gerstler, Scribner Books (2010)

Contributing Author: 

Tishman Review (2019); Salamander (2019); Yes, Poetry (2018); Rogue Agent (2018); Mom Egg VOX (2018); Poets Reading the News (2018); American Journal of Poetry (2018); Rattle (2018); Ninth Letter (2018); Construction Magazine (2018); 
Glass: A Journal of Poetry (2018); Virga Magazine (2017); SWIMM (2017) Crab Creek Review (2017)The Pinch (2017); 
Los Angeles Review (2017); sidereal magazine (2017); PUBLIC POOL (2017); Mom Egg (2017); Angel's Flight + literary west (2017); 
Willow Springs (2017); Louisville Review (2017); Anti-Heroin Chic (2017); Menacing Hedge (2017); Zyzzyva (2017); Borderlands (2016); 
Cultural Weekly (2016); By&By (2016); Ekphrastic Review (2016); Scissors and Spackle (2016); Rattle (2016); Exposition Review (2016); 
Flash Flash Click (2016); Pittsburgh Poetry Review (2015); The Writer's Almanac (2015); Verse-Virtual (2015, 2016); Truthdig (2015); 
Lament for the Dead (2015); The Mid (2015); Poetry Has Value (2015); LARB Quarterly Journal (2015); Sequestrum (2015); 
NonBinary Review (2015); Manifest Station (2015); FORTH Magazine (2014); Graze (2014); PANK (2014); Rattle (2014); 
Main Street Rag (2014); Role Reboot (2014, 2015); Bellevue Literary Review (2014); Monarch Review (2014); LUMINA (2013); 
Stealing Time (2013); Borderlands (2012); Rattle (2011); Burnside Review (2011); Red Rock Review (2010); 
Massachusetts Review (2010); Antioch Review (2010); Cimarron Review (2008); Green Mountains Review (2008); 
Sow's Ear (2007); Folio (2007); Cream City Review (2007); Sycamore Review (2006); Meridian (2006); Willow Review (2006); 
Burnside Review (2006); Ululation (2001); Viscera, Venus or Vixen Press (2000); Crack #2 (1999); Flux (1999); Fourteen Hills (1999) 


Winner of the Marie Alexander Series; Winner of the Autumn House Press/Coal Hill Review Chapbook Contest; Finalist for the Philip Levine Prize; Winner of the Codhill Book Prize; Semi-finalist for the Anthony Hecht Book Prize; Second Place, Edward W. Moses Creative Writing Competition, USC, Fiction; Finalist for the Cod Hill Press Chapbook Contest 2011; Nominated for a Pushcart Prize 2011, 2014; Two-time semi-finalist, “Discovery” / The Nation Poetry Contest; Short-listed for the Bridport Prize; Klepser Fellowship, 2002, University of Washington, Seattle, Washington